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When the announcement was made that Def Jam was hiring No I.D. as the VP of A&R, it was a moment of personal satisfaction. For starters, like No I.D., I am from the Chicagoland area and it\u2019s refreshing to see an often forgotten city in the three coast (East, West and Gulf) Hip Hop sphere have one of its most enduring and brightest stars get some much-deserved shine.<\/p>\n
Aside from my apparent bias, No I.D. is a producer from an era -and ideology, for that matter- long gone in Hip Hop; but, he\u2019s making commercially viable music and is arguably busier than ever in his career. He started at a time where a producer produced all or at least a vast majority of an artist\u2019s album (see Common\u2019s first three albums No I.D. produced for a reference). Similar to how DJ Muggs influenced Alchemist and bridged a gap between \u201cold\u201d and \u201cnew,\u201d it was partly his mentoring, tutelage and talent that inspired No I.D.\u2019s student, Kanye West, who took what No I.D. had been doing and introduced it to a global audience. Not letting his ego hamper the development of Kanye, Mr. West\u2019s career took off! Don\u2019t get it confused, though, No I.D. was not off the radar at this time as he teamed up with Jermaine Dupri and was co-producing records for Bow Wow and Jay-Z. After the American Gangster project, Kanye and No I.D. have joined forces once again and have gone on to make memorable records for Blueprint 3, My Beautiful Dark Twisted Fantasy, and Watch the Throne. This ability to mentor a future superstar is but one reason No I.D. is a good fit to oversee those who are cultivating talent at Def Jam. This man was doing it when it wasn\u2019t, so to speak, part of his job description.<\/p><\/blockquote>\n
Hit continue reading to check out the rest of this article taken from Al Lindstrom<\/a>‘s site, and to download this dope tribute mixtape.
\n(Tracklist & download link via Lost Tapes<\/a>)
\n<\/p>\nAlso, the success of Big Sean and his Finally Famous album have proven that No I.D. is worthy for the task at hand at Def Jam. I could easily go on about this man\u2019s past accolades, but it would do a disservice to his current wave of music now (Did I mention he produced \u201cNever Told\u201d on J.Cole\u2019s debut album, too?). This almost-20 years-in-the-game vet produced half of the Finally Famous album and made songs that radio gravitated to. Sure, labels are quick to sign producers or artists into corporate positions that have \u201chits\u201d on the radio and those hits don\u2019t always translate into corporate success. Def Jam\u2019s bold move to sign quality -artists and personnel alike- calls back to the yesteryear that made them great. Similar in nature to this proud lineage, No I.D. understands music regardless of the current trend and he can make hits regardless of the artist\u2019s age.<\/p>\n
As the current turmoil and race to figure out the music industry\u2019s direction continues at major labels, let\u2019s applaud Def Jam for making a move that in a lot of ways goes against the prevailing ideology in Hip Hop and could impact the label profoundly in the years to come. But, then again, isn\u2019t that what Def Jam was always known for in the first place?<\/p><\/blockquote>\n
Tracklist:
\n01. “Resurrection ’95” (Ft. Common)
\n02. “Everybody’s Talkin'” (Ft. Al’ Tariq)
\n03. “Man’s World” (Ft. Beanie Sigel)
\n04. “Metal Lungies” (Ft. Ghostface Killah, Styles P & Sheek Louch)
\n05. “Smile” (Ft. G-Unit)
\n06. “Interlude #1”
\n07. “Soul By The Pound (Remix)” (Ft. Common)
\n08. “State to State” (Ft. No I.D., Common & Dug Infinite)
\n09. “Thinkin’ Cap” (Ft. All Natural)
\n10. “Not The One” (Ft. Madd Rapper)
\n11. “Ready Set Go (Remix)” (Ft. Killer Mike, T.I. & Big Boi)
\n12. “Primetime” (Ft. Jay-Z & KanYe West)
\n13. “Interlude #2 (Fate or Destiny)”
\n14. “The Heat” (Ft. Twista & Raekwon)
\n15. “Let Me Show You The Way” (Ft. Toni Braxton)
\n16. “Tears Of Joy” (Ft. Rick Ross & Cee-Lo)
\n17. “Success” (Ft. Jay-Z & Nas)
\n18. “Interlude #3 (I Used to Love H.E.R.)”
\n19. “Ghetto Dreams” (Ft. Common & Nas)
\n20. “Outro (Yeah!)”<\/p>\n