{"id":232842,"date":"2026-10-20T18:30:54","date_gmt":"2026-10-20T16:30:54","guid":{"rendered":"https:\/\/blackouthiphop.com\/blog\/?p=232842"},"modified":"2026-10-20T18:32:34","modified_gmt":"2026-10-20T16:32:34","slug":"vibin-wit-dj-mono-intervju","status":"publish","type":"post","link":"https:\/\/blackouthiphop.com\/blog\/vibin-wit-dj-mono-intervju\/","title":{"rendered":"Vibin Wit DJ Mono &#8211; Intervju"},"content":{"rendered":"<p><strong>DJ Mono<\/strong> je jedno od najutjecajnijih imena crnogorske Hip-Hop scene. Ovaj producent, DJ i radijski voditelj je kroz dugogodi\u0161nju karijeru sudjelovao u postavljanju temelja koji su oblikovali crnogorsku scenu u ovo \u0161to je danas. Njegov repertoar krase i suradnje s imenima kao \u0161to su <strong>DJ Paul<\/strong> i <strong>Nappy Roots<\/strong>. U razgovoru nam je otkrio kako je do\u0161lo do tih suradnji, pozadinu novog projekta, &#8220;Nikola 2&#8221;, kao i mno\u0161tvo drugih zanimljivosti.<\/p>\n<h4><\/h4>\n<p>&nbsp;<\/p>\n<h4><strong>Autor si najdugovje\u010dnije i najzna\u010dajnije Hip-Hop radio emisije u Crnoj Gori, \u201eThe Coming \u2013 Finalna granica Hip-Hopa\u201c. Kako danas gleda\u0161 na svoje dugogodi\u0161nje iskustvo na radiju?<\/strong><\/h4>\n<p>Kada danas pogledam na \u201eThe Coming\u201c, prije svega osje\u0107am ogromno zadovoljstvo \u0161to smo uspjeli da izgradimo ne\u0161to \u0161to je nad\u017eivjelo svoje prvobitne okvire. Igor Burzan, poznatiji kao Rhino, i ja pokrenuli smo emisiju 1998. godine, u vremenu kada hip-hop u Crnoj Gori nije imao infrastrukturu, medijsku podr\u0161ku niti dostupnost kakvu danas podrazumijevamo. Internet nije bio ono \u0161to je danas, a do novih albuma \u010desto se dolazilo preko prijatelja, putovanja i naru\u010divanja muzike iz inostranstva.<\/p>\n<p>\u201eThe Coming\u201c je zato bio mnogo vi\u0161e od radio-emisije. Bio je mjesto susreta, razmjene informacija i upoznavanja ljudi koji su dijelili istu strast. Kroz stotine emisija i hiljade sati programa predstavljali smo svjetsku scenu, ali smo istovremeno otvarali prostor doma\u0107im izvo\u0111a\u010dima koji nijesu imali mnogo drugih prilika da se \u010duju. Neki od njih kasnije su postali veoma va\u017ena imena crnogorskog hip-hopa.<\/p>\n<p>Kad sam 2018. godine zavr\u0161io tu radijsku etapu, iza sebe sam imao gotovo hiljadu epizoda i oko tri hiljade sati programa. To nije mala stvar, posebno kada zna\u0161 da iza takvog projekta stoje ljubav prema muzici, upornost i spremnost da radi\u0161 i onda kada nema mnogo spolja\u0161njih podsticaja.<\/p>\n<p>Danas na \u201eThe Coming\u201c gledam kao na va\u017ean dio svoje li\u010dne istorije, ali i kao na dio istorije crnogorske urbane kulture. Najve\u0107a vrijednost nije broj emisija, ve\u0107 ljudi koji su kroz njih otkrivali muziku, formirali ukus, po\u010dinjali da repuju ili odlu\u010divali da sami ne\u0161to pokrenu.<\/p>\n<p>Radio se promijenio, na\u010dini slu\u0161anja muzike su se promijenili, ali su\u0161tina je ostala ista: prepoznati ne\u0161to \u0161to vrijedi, predstaviti to ljudima i dati prostor zvuku koji zaslu\u017euje da bude \u010dut. Ta ideja me i danas vodi, samo \u0161to je sada izra\u017eavam i kroz produkciju, saradnje i vlastita izdanja.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-232846\" src=\"https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/DJ-MONO.avif\" alt=\"\" width=\"1440\" height=\"1440\" srcset=\"https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/DJ-MONO.avif 1440w, https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/DJ-MONO-540x540.avif 540w, https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/DJ-MONO-1024x1024.avif 1024w, https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/DJ-MONO-150x150.avif 150w, https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/DJ-MONO-768x768.avif 768w\" sizes=\"(max-width: 1440px) 100vw, 1440px\" \/><\/p>\n<h3><\/h3>\n<p>&nbsp;<\/p>\n<h4 style=\"font-weight: 400;\"><strong>Mo\u017ee\u0161 li nam otkriti par detalja o svojem projektu, \u201eNikola 2\u201c?<\/strong><\/h4>\n<p style=\"font-weight: 400;\">\u201eNikola 2\u201c predstavlja nastavak pri\u010de koju sam zapo\u010deo albumom \u201eNikola\u201c iz 2025. godine. Ovoga puta rije\u010d je o EP-ju sa pet pjesama, ali mi je bilo va\u017eno da svaka od njih ima vlastiti karakter i da zajedno poka\u017eu koliko hip-hop produkcija mo\u017ee biti otvorena prema razli\u010ditim zvu\u010dnim i autorskim pravcima.<\/p>\n<p style=\"font-weight: 400;\">Na izdanju su \u201eKAMEN\u201c sa grupom Who See i Konstraktom, \u201eBOLESNOST\u201c sa Ronaldom Maximumom, \u201eDOBRO JE TO!\u201c sa Randomom, \u201eThe Outvaderz HYPNO\u201c sa ekipom Knowhere2run i \u201eJutro\u201c, u saradnji sa Dedduhom.<\/p>\n<p style=\"font-weight: 400;\">Ono \u0161to mi je posebno zanimljivo jeste to \u0161to ove pjesme nijesu poku\u0161aj da se sve ugura u jedan zvu\u010dni kalup. \u201eDOBRO JE TO!\u201c nosi prepoznatljivu dozu podgori\u010dkog humora, ironije i komentara svakodnevice. \u201eKAMEN\u201c ide u sporijem, reggae-inspirisanom pravcu, sa minimalisti\u010dkom produkcijom i dubokim basom, a kroz svoju pri\u010du propituje ideju da umjetnik mora da bude siroma\u0161an ili na margini da bi ostao autenti\u010dan. Ostale pjesme otvaraju prostor za druga\u010dije atmosfere i izraze.<\/p>\n<p style=\"font-weight: 400;\">Naslov \u201eNikola\u201c za mene ima i li\u010dnu dimenziju. Poslije toliko godina provedenih iza gramofona, u radiju, produkciji i radu sa drugim izvo\u0111a\u010dima, po\u017eelio sam da svoj autorski rukopis stavim u prvi plan. Ne zato \u0161to ranije nijesam imao \u0161ta da ka\u017eem, ve\u0107 zato \u0161to sam osjetio da je do\u0161ao trenutak da sve to iskustvo pove\u017eem u jednu cjelinu.<\/p>\n<p style=\"font-weight: 400;\">\u201eNikola 2\u201c zato nije samo nastavak prvog albuma. To je novo poglavlje u kojem sebi ostavljam jo\u0161 vi\u0161e slobode da eksperimenti\u0161em, pove\u017eem razli\u010dite generacije i sara\u0111ujem sa ljudima koji imaju autenti\u010dan izraz. Ako postoji zajedni\u010dka nit svih pet pjesama, onda je to \u017eelja da zvuk ostane savremen, ali da ne izgubi svoj identitet.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=CaGapkdFSAt3sRzR&amp;list=OLAK5uy_lGOUea-1qlg1TQ_TOppYb0LGdbu2HHdbE\" width=\"100%\" height=\"500\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h4>\u0160to te danas najvi\u0161e inspirira u stvaranju glazbe, nakon toliko godina rada i iskustva?<\/h4>\n<p>Najkra\u0107e bi bilo groove: ritam i rime. Danas me najvi\u0161e inspiri\u0161e mogu\u0107nost da i dalje otkrivam ne\u0161to novo. Poslije toliko godina u muzici, najgore bi bilo da po\u010dnem da ponavljam samog sebe samo zato \u0161to znam da ne\u0161to funkcioni\u0161e. Mnogo mi je zanimljivije da u\u0111em u studio bez unaprijed definisanih granica i vidim dokle neka ideja mo\u017ee da ode.<\/p>\n<p>Inspiracija dolazi iz razli\u010ditih izvora: iz muzike koju slu\u0161am, ljudi sa kojima sara\u0111ujem, razgovora, svakodnevnih situacija, grada u kojem \u017eivim, ali i iz samog procesa stvaranja. Nekada je dovoljna jedna tekstura, bas-linija ili ritmi\u010dki detalj da se otvori cijela pjesma. Drugom prilikom je to ne\u010diji karakter, na\u010din na koji razmi\u0161lja ili pri\u010da, pa poku\u0161avam da prona\u0111em zvuk koji \u0107e najbolje prenijeti njegovu energiju.<\/p>\n<p>Velika inspiracija su mi i ljudi sa kojima radim. Kada sara\u0111uje\u0161 sa izvo\u0111a\u010dima razli\u010ditih generacija i senzibiliteta, shvati\u0161 da ne mora\u0161 uvijek da bude\u0161 u centru pa\u017enje. Kao producent, treba da prepozna\u0161 \u0161ta neko donosi i da mu napravi\u0161 prostor da to poka\u017ee. Istovremeno, kroz taj proces i sam u\u010di\u0161 i pomjera\u0161 svoje granice.<\/p>\n<p>Mislim da se s godinama mijenja i odnos prema uspjehu. Manje me zanima da li ne\u0161to odgovara trenutnom trendu, a mnogo vi\u0161e da li ima smisla, karakter i razlog da postoji. Naravno, va\u017eno mi je da muzika komunicira sa publikom, ali ne \u017eelim da zbog toga izgubim radoznalost ili autorsku slobodu.<\/p>\n<p>Ako bih morao da izdvojim jednu stvar, rekao bih da me danas najvi\u0161e inspiri\u0161e sloboda da radim ono \u0161to osje\u0107am, bez potrebe da bilo kome dokazujem da pripadam odre\u0111enoj kategoriji. Hip-hop mi je dao tu slobodu i nemam namjeru da je se odreknem.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-232845\" src=\"https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/Mono-Who-See.avif\" alt=\"\" width=\"1440\" height=\"810\" srcset=\"https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/Mono-Who-See.avif 1440w, https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/Mono-Who-See-540x304.avif 540w, https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/Mono-Who-See-1024x576.avif 1024w, https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/Mono-Who-See-768x432.avif 768w\" sizes=\"(max-width: 1440px) 100vw, 1440px\" \/><\/p>\n<h3><\/h3>\n<h3><\/h3>\n<p>&nbsp;<\/p>\n<h4>Kako je do\u0161lo do tvoje suradnje s legendarnim ameri\u010dkim grupama Goodie Mob, Nappy Roots i Oskarovcem DJ Paul-om?<\/h4>\n<p>Za mene su saradnje sa imenima kao \u0161to su DJ Paul, Goodie Mob i Nappy Roots va\u017ene upravo zato \u0161to pokazuju da hip-hop mo\u017ee da pove\u017ee ljude bez obzira na to odakle dolaze. Dolazim iz male sredine i nikada nijesam razmi\u0161ljao da geografija treba da bude granica onoga \u0161to mo\u017eemo da napravimo u muzici.<\/p>\n<p>Godinama sam gradio svoje iskustvo kao DJ, radijski autor i producent, istra\u017eivao zvuk, razvijao kontakte i radio na tome da produkcija koju potpisujem ima prepoznatljiv karakter. Kroz taj rad otvorio se prostor i za me\u0111unarodne saradnje. U takvim situacijama najva\u017enije je da muzika govori sama za sebe: da ima energiju, da odgovara izvo\u0111a\u010du i da postoji razlog zbog kojeg upravo taj zvuk treba da bude dio njegove pjesme.<\/p>\n<p>Goodie Mob imaju posebno mjesto u istoriji ju\u017enja\u010dkog hip-hopa, dok Nappy Roots nose svoj prepoznatljivi spoj ju\u017enja\u010dkog senzibiliteta, ritma i pripovijedanja. Kada radi\u0161 sa izvo\u0111a\u010dima koji iza sebe imaju tako sna\u017ean identitet, ne treba da poku\u0161ava\u0161 da ih mijenja\u0161 ili kopira\u0161 njihov zvuk. Va\u017eno je da prona\u0111e\u0161 prostor u kojem tvoj produkcijski pristup mo\u017ee prirodno da se uklopi u njihov izraz.<\/p>\n<p>Ne bih volio da od tih saradnji pravim neku veliku pri\u010du o slu\u010dajnom uspjehu ili da ih predstavljam kao ne\u0161to \u0161to se dogodilo preko no\u0107i. Iza svake ozbiljne muzi\u010dke saradnje stoje godine rada, istra\u017eivanja, komunikacije i spremnosti da kvalitet svog rada iznese\u0161 pred ljude koji imaju visoke kriterijume.<\/p>\n<p>Meni je najva\u017enije to \u0161to takva iskustva potvr\u0111uju da ne mora\u0161 da bude\u0161 dio velikog muzi\u010dkog centra da bi u\u010destvovao u me\u0111unarodnoj hip-hop pri\u010di. Mo\u017ee\u0161 da stvara\u0161 iz Titograda, da ostane\u0161 vjeran svom senzibilitetu i da istovremeno komunicira\u0161 sa ljudima iz razli\u010ditih djelova svijeta.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pttTJoPh1wA?si=QUGB8jTfWFrnwgR5\" width=\"100%\" height=\"500\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h4>Koje je tvoje mi\u0161ljenje o dana\u0161njoj Hip-Hop sceni u Crnoj Gori? Postoje li mla\u0111i ili noviji crnogorski izvo\u0111a\u010di koje bi posebno izdvojio?<\/h4>\n<p>Mislim da je crnogorska hip-hop scena i dalje veoma \u017eiva i da se njena energija mo\u017eda najbolje vidi u tome koliko se razli\u010ditih stvari istovremeno de\u0161ava. Danas imamo izvo\u0111a\u010de koji su godinama prisutni, autore koji razvijaju potpuno nove pristupe, producente koji okupljaju ljude oko studijskih projekata i sve vi\u0161e prostora za saradnje koje prelaze granice jednog grada ili \u017eanra.<\/p>\n<p>Velika razlika u odnosu na devedesete jeste dostupnost tehnologije. Danas gotovo svako mo\u017ee da snimi pjesmu, napravi video i objavi muziku na digitalnim platformama. To je ogromna prednost, ali istovremeno zna\u010di da je mnogo te\u017ee izboriti se za pa\u017enju publike. Sama \u010dinjenica da mo\u017ee\u0161 da objavi\u0161 pjesmu ne zna\u010di da \u0107e\u0161 izgraditi identitet ili dugoro\u010dnu karijeru.<\/p>\n<p>Zato mislim da su nam potrebni i kvalitetna muzika i infrastruktura: studiji, producenti, izdava\u010di, koncerti, mediji i ljudi koji su spremni da ulo\u017ee vrijeme u razvoj izvo\u0111a\u010da. Scena ne mo\u017ee da po\u010diva samo na pojedina\u010dnim uspjesima. Potrebno je da postoji kontinuitet, saradnja i osje\u0107aj da se gradi ne\u0161to \u0161to \u0107e ostati i nakon jednog singla ili viralnog trenutka.<\/p>\n<p>Kada govorimo o imenima koja vrijedi pratiti, izdvojio bih Knowhere2run kao va\u017ean produkcijski kolektiv, posebno zbog rada na projektima koji okupljaju veliki broj izvo\u0111a\u010da. Kompilacija \u201eDoma\u0107a rabota 2\u201c, objavljena 2025. godine, dobar je primjer \u0161irine doma\u0107e scene. Na njoj su, izme\u0111u ostalih, Random, Dedduh, Jutro, Story, Stra\u0161ilo, Poetika, Kurgashian, Apro, Labia, D\u017eej D\u017eej Oko\u010da, Wicked Rasa, Skoveche i Sivilo..<\/p>\n<p>Ne bih, me\u0111utim, volio da pravim strogu podjelu na stare i nove ili da nekoga izdvajam samo na osnovu godina. Mnogo mi je va\u017enije da li neko ima \u0161ta da ka\u017ee, da li razvija svoj stil i da li je spreman da radi na sebi. Nije poenta da mladi izvo\u0111a\u010di zvu\u010de kao generacija prije njih, ba\u0161 kao \u0161to nije poenta ni da stariji autori poku\u0161avaju da glume ne\u0161to \u0161to nijesu.<\/p>\n<p>Na kraju, volio bih da crnogorska scena dobije jo\u0161 vi\u0161e prostora za me\u0111usobnu podr\u0161ku i saradnju. Imamo dovoljno talenata i razli\u010ditih pristupa da izgradimo mnogo sna\u017eniju pri\u010du nego \u0161to nam veli\u010dina tr\u017ei\u0161ta mo\u017eda sugeri\u0161e. Najva\u017enije je da nastavimo da stvaramo muziku koja ima svoj identitet i da ne \u010dekamo da nam neko sa strane potvrdi da to \u0161to radimo vrijedi.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-232843\" src=\"https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/Mono-Random.avif\" alt=\"\" width=\"2048\" height=\"1365\" srcset=\"https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/Mono-Random.avif 2048w, https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/Mono-Random-540x360.avif 540w, https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/Mono-Random-1024x683.avif 1024w, https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/Mono-Random-768x512.avif 768w, https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/10\/Mono-Random-1536x1024.avif 1536w\" sizes=\"(max-width: 2048px) 100vw, 2048px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Zahvaljujemo se DJ Monu na razgovoru. Kako biste ostali u toku s najnovijim doga\u0111anjima i izdanjima, zapratite DJ Mona na<\/strong> <a href=\"https:\/\/www.instagram.com\/vibinwitdjmono\/\" target=\"_blank\" rel=\"noopener\">Instagramu<\/a> <strong>i<\/strong> <a href=\"https:\/\/www.facebook.com\/vibinwitdjmono\" target=\"_blank\" rel=\"noopener\">Facebooku<\/a>.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DJ Mono je jedno od najutjecajnijih imena crnogorske Hip-Hop scene. Ovaj producent, DJ i radijski&#8230;<\/p>\n","protected":false},"author":23,"featured_media":232844,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"cybocfi_hide_featured_image":"","footnotes":""},"categories":[8,3,9,5],"tags":[],"class_list":["post-232842","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blackout-exclusive","category-croatia","category-interviews","category-videos"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.3 - aioseo.com -->\n\t<meta name=\"description\" content=\"DJ Mono je jedno od najutjecajnijih imena crnogorske Hip-Hop scene. Ovaj producent, DJ i radijski voditelj je kroz dugogodi\u0161nju karijeru sudjelovao u postavljanju temelja koji su oblikovali crnogorsku scenu u ovo \u0161to je danas. Njegov repertoar krase i suradnje s imenima kao \u0161to su DJ Paul i Nappy Roots. 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