{"id":232403,"date":"2026-09-26T10:00:44","date_gmt":"2026-09-26T08:00:44","guid":{"rendered":"https:\/\/blackouthiphop.com\/blog\/?p=232403"},"modified":"2026-09-25T11:11:20","modified_gmt":"2026-09-25T09:11:20","slug":"grandmaster-flash-on-birth-of-a-culture","status":"publish","type":"post","link":"https:\/\/blackouthiphop.com\/blog\/grandmaster-flash-on-birth-of-a-culture\/","title":{"rendered":"Grandmaster Flash on \u201cBirth of a Culture\u201d"},"content":{"rendered":"<p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/22PC2HHaLjw?si=vO3KC63gCGY8_8YR\" width=\"100%\" height=\"500\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Grandmaster Flash explains how he worked out some of the turntable innovations that led to hip-hop as we know it, and why the Furious Five\u2019s biggest hit was the beginning of the end. This interview is drawn from The New Yorker Radio Hour, a weekly radio show and podcast hosted by David Remnick. For more, follow <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/the-new-yorker-radio-hour\/id1050430296\" target=\"_blank\" rel=\"noopener\">The New Yorker Radio Hour<\/a> wherever you get your podcasts.<\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-232404\" src=\"https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/09\/thenewyorker_grandmaster-flash-the-new-yorker-radio-hour.avif\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/09\/thenewyorker_grandmaster-flash-the-new-yorker-radio-hour.avif 1920w, https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/09\/thenewyorker_grandmaster-flash-the-new-yorker-radio-hour-540x304.avif 540w, https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/09\/thenewyorker_grandmaster-flash-the-new-yorker-radio-hour-1024x576.avif 1024w, https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/09\/thenewyorker_grandmaster-flash-the-new-yorker-radio-hour-768x432.avif 768w, https:\/\/blackouthiphop.com\/blog\/wp-content\/uploads\/2026\/09\/thenewyorker_grandmaster-flash-the-new-yorker-radio-hour-1536x864.avif 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Grandmaster Flash explains how he worked out some of the turntable innovations that led to&#8230;<\/p>\n","protected":false},"author":21,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"cybocfi_hide_featured_image":"","footnotes":""},"categories":[9],"tags":[],"class_list":["post-232403","post","type-post","status-publish","format-standard","hentry","category-interviews"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.2 - aioseo.com -->\n\t<meta name=\"description\" content=\"Grandmaster Flash explains how he worked out some of the turntable innovations that led to hip-hop as we know it, and why the Furious Five\u2019s biggest hit was the beginning of the end. 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