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Some producers take their time with their projects, but they\u2019re really worth waiting for. MG Gost<\/strong>\u2019s latest album was several years in making, but right after clicking play on the first track, which is a remix of Till Bronner<\/strong>\u2019s She Was Too Good To Me<\/em>, I knew I have signed up for an eased up journey through sound.<\/p>\n Then again, already with the second track MG Gost<\/strong> kicks off with some medium-paced, but yet uplifting jazzy breakbeats with carefully placed instruments to give the track some extra charm, like with that marvelous piano solo on a remade version of People Under The Stairs<\/strong>\u2019 track Hit The Top<\/em>. That\u2019s exactly how the rest of the album flows – straight up smooth, soulful, and actually pretty much expressive. In his usual style, the Novi Sad-based producer, MC and percussionist has filled every track to the brim with hi-hats, shakers, claps, crashes, cymbals and bells, blending them with saxophones, trumpets, synthesizer, guitars, and God knows what, into one hell of a hip-hop tale. The perfect example of that is the remix Ne\u0161to Sasvim Izvesno<\/em>, a track originally played by the Serbian band Darkwood Dub<\/strong>, in which he\u2019s keeping the original flavor of the song, but taking it in a whole another dimension. Not many can combine so much and yet keep the clarity on the level. It\u2019s really something else.<\/p>\n All in all, you\u2019ll find various musical styled blended in these seven tracks (the other five are just instrumentals versions) which had a great impact on the growth of this fantastic artist.
\nNeedless to say, the Remixed And Remaked<\/em><\/a> album is a tribute of a high-class standard.<\/p>\n